When you move to the Blue Ridge Mountains, you begin to feel the need to fiddle or pick. Three months after you give into that urge, you get a roaring case of fiddler's tendinitis. And you need to return to watercolor where you can paint for a week and never open a jar. Here is the result of that week.
I am the author of Master Disaster, 5 Ways to Rescue Desperate Watercolors. Based on a course that I have developed over many years, the bones of this book give you a plan to finish your paintings--and even your bombs. The meat of my book and course, though, is to help you structure your life to encourage and accommodate painting. Painters have to paint. This is how to do it.
Going to FACEBOOK
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Are you OVERWHELMED by trying to figure out the best place to blog-- or to
get your word out?
Before my studio become busy-- I wanted to blog as much as po...
REINSPIRED!!
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CUP SERIES #1 CUP SERIES #2 CUP SERIES #3 Add caption I am starting to hold
semi-private lessons in my studio on the variations theme. I have the
luxury ...
Complementarity
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*Complementarity*
by Katharine A .Cartwright
watercolor, 26" x 20" Last month, I was reading a book about Niels Bohr and
came across a short discussion of...
ALCAZAR GARDENS, Acrylic, 36” x 48”
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*STAGES OF PROGRESS… from Start to Finish*
Commissioned by Mark Hilbert
*HILBERT MUSEUM OF CALIFORNIA ART *
*Download the PDF or View on your Mobile Dev...
On Becoming "Good" . . .
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"Cadaques Evening"
Watercolor 18 x 24 inches
A question comes frequently from workshop participants that I find
difficult to answer in more than a single...
2 comments:
This is beautiful but so different from your other work. I really like the textures and design elements you've used in it.
I love it! The orchids themselves are beautiful, but the design elements carry it over the top. Love the stamping!
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