I've been trying to create paintings with my new-to-me texture on a smaller scale. These are my Square Footers, 12 x 12. In the first, I tried to loose my new dependence on outlining, but the work ends up more realistic than I had planned. The second paintings is a definite extension of my recent work--on a more common topic, flowers. What do you think?
I think that both paintings are very successful, but the second is more effective in terms of a dynamic design. Your use of borders, outlines, and interesting forms is masterful!
Hello Sue, I think you described it well with "Heavy Texture". I go towards line of differing thickness for emphasis. Recently I visited with Lloyd Turner. He works with both water colors and flat pencils for lines. It was amazing to see how much more of a story he could tell by the position of his brush and pencil. Best regards, Nolan
I am the author of Master Disaster, 5 Ways to Rescue Desperate Watercolors. Based on a course that I have developed over many years, the bones of this book give you a plan to finish your paintings--and even your bombs. The meat of my book and course, though, is to help you structure your life to encourage and accommodate painting. Painters have to paint. This is how to do it.
Going to FACEBOOK
-
Are you OVERWHELMED by trying to figure out the best place to blog-- or to
get your word out?
Before my studio become busy-- I wanted to blog as much as po...
Complementarity
-
*Complementarity*
by Katharine A .Cartwright
watercolor, 26" x 20" Last month, I was reading a book about Niels Bohr and
came across a short discussion of...
OCEANSIDE MUSEUM OF ART
-
NATIONAL WATERCOLOR SOCIETY: SOUTHERN CALIFORNIA INSPIRATIONS, PAST AND
PRESENT Curated By Ken Goldman Video of the Exhibition
Since 1850, California has...
Getting to "Beyond the Obvious"
-
"Spotlight at Dusk"
Watercolor 15 x 22 inches
As painters, most of us are confronted with the "Tyranny of the Subject" .
. . . .
That is becoming...
5 comments:
I loved the expressiveness of your paintings, the colors, congratulations from chile paty
I think that both paintings are very successful, but the second is more effective in terms of a dynamic design. Your use of borders, outlines, and interesting forms is masterful!
Are these paintings in acrylic? Each has its own strengths...but I like the design of the flower painting with opaque areas...love your blog...
I think the outlining punches it up a notch, but as another selfconfessed "liner" - what can I say I love the look!
Hello Sue,
I think you described it well with "Heavy Texture". I go towards line of differing thickness for emphasis.
Recently I visited with Lloyd Turner. He works with both water colors and flat pencils for lines. It was amazing to see how much more of a story he could tell by the position of his brush and pencil.
Best regards,
Nolan
Post a Comment