Tuesday, December 1, 2009

Fake Reality



Here is a new painting that I've been trying to get under control from quite a while. When the imagination goes wild, design is crucial. But I can't be hindered by it. Thus I needed to calm this piece down and correct it's balance with the help of Kathy.

Monday, November 2, 2009

ISAP gives me a prize!


I found out today that Maxine Masterfield gave me a prize (6th place) in the ISAP Online International Open Exhibition 2009. Being my first prolonged foray into acrylic painting--and my first into this heavy texture that is capturing my eye--I am thrilled. Thank you Maxine, where ever you are.

Thursday, September 3, 2009

Heavy Texture and "Realism"




I've been trying to create paintings with my new-to-me texture on a smaller scale. These are my Square Footers, 12 x 12. In the first, I tried to loose my new dependence on outlining, but the work ends up more realistic than I had planned. The second paintings is a definite extension of my recent work--on a more common topic, flowers. What do you think?

Monday, August 24, 2009

The Painting Career

Friends and I have been discussing our various goals in art and life. Then Ken sent me this. Cut out the third paragraph and pin it on your bulletin boards.

The Great Wave, by Hokusai

Hokusai (1760-1849)
Katsushika Hokusai, Japan's best known artist, is ironically Japan's least Japanese artist. Japan's best known woodblock print, The Great Wave, is very un-Japanese. Welcome to the artist often known as Hokusai.

Hokusai (1760-1849) lived during the Tokugawa period (1600 to 1867). In a Japan of traditional Confucian values and feudal regimentation, Hokusai was a thoroughly Bohemian artist: cocky, quarrelsome, restless, aggressive, and sensational. He fought with his teachers and was often thrown out of art schools. As a stubborn artistic genius, he was single-mindedly obsessed with art. Hokusai left over 30,000 works, including silk paintings, woodblock prints, picture books, manga, travel illustrations, erotic illustrations, paintings, and sketches. Some of his paintings were public spectacles which measured over 200 sq. meters (2,000 sq. feet.) He didn't care much for being sensible or social respect; he signed one of his last works as "The Art-Crazy Old Man". In his 89 years, Hokusai changed his name some thirty times (Hokusai wasn't his real name) and lived in at least ninety homes. We laugh and recognize him as an artist, but wait, that's because we see him as a Western artist, long before the West arrived in Japan.

"From the age of six I had a mania for drawing the shapes of things. When I was fifty I had published a universe of designs. but all I have done before the the age of seventy is not worth bothering with. At seventy five I'll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am eighty you will see real progress. At ninety I shall have cut my way deeply into the mystery of life itself. At a hundred I shall be a marvelous artist. At a hundred and ten everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokosai, but today I sign my self 'The Old Man Mad About Drawing." -- Hokusai

Saturday, August 15, 2009

The Rabbit Hole

I've been thinking about a comment I heard last week. Why just look down that rabbit hole and dream of what might be possible. Jump down the rabbit hole and experience being an artist, Alice. (Is there a rabbit hole painting in my near future?)

With the down economy, take advantage of these months to explore ourselves as painters. This is a unique time (hopefully). We need not spend time painting for someone else's decor. Paint for ourselves. Explore that rabbit hole.

Thursday, August 13, 2009

Julie/Julia

I re-read the Julia/Julie book in preparation for seeing the movie. Both are terrific. Meryl Streep IS Julia Child. This disappointed me a little, Streep seems like such a fun person, I wanted to see her playing the part.

I've been trying to equate her acting to painting. I think that a method actor such as her becomes Julia Child, and that is equivalent to realistic painting. A character actor, say Goldie Hawn, always plays some version of herself. This might be like putting yourselves into your paintings. Does that make me the Sandra Bullock of paintings? ;-)

Wednesday, August 12, 2009

Escher and Me

"Only those who attempt the absurd will achieve the impossible." M. C. Escher This quote that really reflects my passion for painting.

Making the impossible possible is the thrust of my style, my book, Master Disaster, my DVD and my workshops. Developed from notes on how I managed to finish dozens of paintings, I review my book when finishing each and every painting. And I do make the impossible possible!
 
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