Here is my latest. "That Way," 36 x 36 Acrylic on canvas. I've had a ball with my big paintings. They move along fast and create mini surprises as I layer color over color. Enlarge this image and see what I mean.
Photographing them, though, has been a challenge. I have a Cannon Power Shot G9 and tons of experience shooting slides. But how to light big paintings,and not get way too yellow a cast to these works?
If I set the camera on Program, go to the Auto White Balance option, and then follow the directions to color correct using my old gray card from my slide days, I ended up with correct color!! And the camera is supposed to remember this setting. It also automatically bracketed my shots, but this probably isn't necessary.
I was also pleased to be accepted into the 2009 San Diego Watercolor Society's national show with my houses on stilts, and am currently in the Transparent Watercolor Society of America's national.
I am the author of Master Disaster, 5 Ways to Rescue Desperate Watercolors. Based on a course that I have developed over many years, the bones of this book give you a plan to finish your paintings--and even your bombs. The meat of my book and course, though, is to help you structure your life to encourage and accommodate painting. Painters have to paint. This is how to do it.